Vol.1, No.12 • June, 2008

Pulp Diction
Robert Hazelton
Not Quite Right
Bob Church
Whisper Gap
Jo Janoski
From The Attic
T. Owen Stark
Cheshire Cat
Chronicles
Rusty Arquette
Thinkin' Out Loud Nan Jabobs

Leftovers Dan Beams

Songs of
the Soul
Harry Furness
Shirley Allard Publisher

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Songs for the Soul
by Harry Furness
Walt Whitman - 2
 

Introduction

Happy June - welcome to summer and the leaves of green grass... It's no secret. I love Walt Whitman and could most likely write an essay about him every month. I've held off long enough and need to discuss his importance again, not only to me but to American poetry. His poetic vision and his influence over our culture is immense (of course according to me that is). The image of Mr. Whitman that I have always tried to dispel is that "old grey poet" that we all see in schools. Yeah, he was old at one point and he was certainly "grey" in those black and white 19th Century photographs, but he was far more than a docile old fellow of literature. And by the by Walt Whitman's birthday is May 31st, the unofficial beginning of summer...

I have already written about how he was born, lived, and died. This month I wish to write about some of my visits to his birthplace, his life, and his grave site and my favorite stories of him. I do wish to reprint a poem I've written about him.

 

Song For Walt Whitman

I sing to Walt's inclusive humanity
I see Walt venturing forth each day and becoming
Teaching in poor lit chalk dust air classrooms, woodworking callus'd hands cover'd with sawdust,
Building framed houses on Long Island
Writing newspaper articles, gulping nightlife, breathing in late-night carousing New York City,
Writing, publishing, re-inventing ink stain'd new dandy self,
Moving poetry door-to-door, singing songs of the new rough and tumble Adam
Lifting all of America on his rugged shoulders, showing us the world of butterflies
Heading to the "west" to cover stories and creating himself as he went along
Tending the wounded and loving his brothers and men in Washington City
Hating war, but caring for the warriors, singing of lost captains
Finding new loves, fighting his fights for his dignity and his songs
Saying goodbyes
Editing, revising, and still singing of bodies electric, moving mountains
Concluding thoughts for generations to sing
Balancing loves and riding final ferry trips to Philadelphia, the city of brotherly love
Becoming the fine old Walt like wine that's been uncask'd
Hiding behind the good old gray poet's image even stroked out as the twinkle of his eyes
Belying his force of nature, using Twain's carriage to race around Camden
Foaming his horses, scattering people out of his way
Singing his way for over 80 years, going forth as a child would
Becoming what he saw, shouting its praises to the heavens, offering us a taste of it
Eating life whole, working with his hands in the dirt of our existence

I sing this song to Walt who taught me to be, to see, to do
Shout with me this chorus of living each moment for itself and of itself
Of facing life and enjoying it, of knowing love and loving it, of being a body in motion and moving it
Of becoming what you are and being it
Each moment alive, and reveling in it

Walt Whitman - As I See Him

"For every atom belonging to me as good belongs to you,"

Here I am at Walt Whitman's birthplace on Long Island - It's a great visit.

 

I first discovered Walt Whitman when I was in middle school. I was barely a teenager and I couldn't imagine why a poet would also sell chocolates. I had a history teacher who said something about a poet who wrote about Abraham Lincoln's death. I had some vague memory of a poet reading at John Kennedy's inauguration and the comparisons between President Kennedy and President Lincoln. I searched out this poet and found out that he was "banned". That's all I needed to know. I wanted to read this guy.

The only poem that I could find in my school books was "O Captain, My Captain". It was about some dead hero. That rang bells in my just teen heart. I certainly didn't "get" or understand it all, but the way he used "'d" to mean past tense was also cool. I needed to find out more. I asked my sister to take me into the city to buy whatever book of his that I could find. I bought the thickest "Leaves Of Grass" that was on the shelf. I sat up nights reading the book past bedtime using a flashlight to illuminate the pages. It took me years to understand his love of Lincoln.

On Mr. Whitman's way to work or on his way to visit the wounded Civil War soldiers, he would often see President Lincoln walking on the front lawn of the White House. Unlike the fortress it is today, the front lawn of the White House was an open area. The story goes that President Lincoln would greet those walking by. I don't know if Mr. Lincoln knew who Mr. Whitman was; but I am sure that he recognized this bearded man as a regular passer by. Mr. Whitman of course felt a great link to this man who worked so hard to preserve the union of the United States. And since his short stint in New Orleans a number of years ago, Mr. Whitman felt a great union with the plight of those who were bought and sold. He had also seen the horrors of war close up - see any of the poems in "Drum Taps".

"I am the slave and I am the master"
"The crashing of and smoking, the pride of men in their pieces,"

"Straight and swift to my wounded I go,"
Where they lie on the ground after the battle brought in,"
Where their priceless blood reddens the grass the ground"

Mr. Whitman wore himself out bringing what he could to the wounded soldiers. He was deeply wounded by the murder of Mr. Lincoln. But of course he was determined more than ever to sing the praises of democracy and of the United States. At this time he was hired by the government to work in Interior's office of Indian Affairs. This eventually caused a great uproar from "moral" literature professors. There was almost a "Spanish Inquisition" that demanded someone like Mr. Whitman who "... disregard in their conduct, habits, and associations, the rules of decorum & propriety by a Christian Civilization" be dismissed from government offices. His songs of himself upset those of "upstanding moral Americans." Mr. Whitman took all of this in stride and moved on, revising his "Leaves of Grass" and adding to it.

Moving to Camden, NJ opened up an audience for speaking engagements. He would often take a ferry over to Philadelphia, PA and give lectures. Young and old loved this man of experience who was not an academic. He brought his perspective of experiencing life and not just learning about it from books or universities. Mr. Whitman, always the promoter, told those who would listen to go and eat life. He was more like P. T. Barnum than like Mr. Emerson.

In his audience at these speaking engagements was a lady from England, Anne Gilchrist. She had fallen for him. Mr. Whitman eventually sent her a picture of himself. She wrote to him, "I fed my heart with sweet hopes, strengthened it with looking into the eyes of thy picture. O surely in the ineffable tenderness of thy look speaks the yearning of thy man-soul towards my woman-soul." Mr. Whitman found a patron, as well as a matron, who would send him money and gifts. She felt that she could surely "cure" his love of men...

A short time later Mr. Whitman suffered his first stroke. His left side was paralyzed and he was house bound. Mark Twain came for a visit and felt that if Mr. Whitman could only take the outside air on short carriage rides it would benefit him greatly. Mr. Twain bought Mr. Whitman a carriage and a horse. Old Walt was stopped by the local police at least on two occasions "racing around the blocks, terrorizing the local pedestrians sent running for their lives as this old man held on to the seat of a carriage..."

Walt Whitman, to me is a guide to be a human being. He is a proponent of life. His poetry lives on the page and through his life. He was and is a voice for human kindness and acceptance. He is full of rich dichotomies, inconsistencies, and opposites. He is totally involved with the messiness of life. He even causes great debates even today. There is supposedly a voice recording of his (see:

Walt's voice reading a selection from "America" - http://www.whitmanarchive.org/multimedia/America.mp3

This is a 36-second wax cylinder recording of what is thought to be Whitman's voice reading four lines from the poem "America." For more information on this recording, see Ed Folsom, "The Whitman Recording," Walt Whitman Quarterly Review

There is a great debate as to whether this is authentic. Mr. Whitman would have loved this raging debate. Mr. Whitman was born on Long Island, NY. His early jobs included teaching, wood working, carpentry, and writing. While in NY he became fascinated with the night life and what he referred to as "the teaming, messy life of the city." He wrote how he loved the fast-paced life of a city.

No matter where Mr. Whitman lived, Brooklyn, New Orleans, Washington, Camden, he considered himself a metropolitan. And even though he moved out of cities from time to time, he would always find his way back to the messy life of city living.

He wrote his first musings in his late teens and early twenties; however, he didn't hit his stride until his thirties. His early poems, published as "Inscriptions" in The Collected Writings Of Walt Whitman, show someone grabbing at something but not quite there yet. He had not yet found a voice.

Mr. Whitman worked on and off as a newspaperman. He covered events, such as operas, fires, openings. He lived as large as he could and was often broke, but never in despair. This is when he found his voice. In "Song of Myself" Walt Whitman became every man and woman and child. He would not leave or lose this voice for the rest of his life. His lists in all 52 stanzas of his poem "Song of Myself" is both legendary and inclusive.

I am not a bit tamed, I too am untranslatable,
I sound my barbaric yawp over the roofs of the world.
and
I am the poet of the Body and I am the poet of the Soul,
The pleasures of heaven are with me and the pains of hell are with me,
The first I graft and increase upon myself, the latter I translate into a new tongue,

Mr. Whitman often shape-shifted. He was as many personalities as he tried. In his poem "There Was a Child Went Forth", he states:

There was a child went forth every day,
And the first object he look'd upon, that object he became,
.........
... became part of him,

Mr. Whitman universalized his testimony with a final line that was later dropped in 1867 but stayed a part of his poems: "And these become part of him or her that peruses them now".

Mr. Whitman goes on to list all of the things that the child sees and becomes. He is that child. He tried many personas for himself and he became them. He didn't just study them, he was that person. He was the carpenter; he was the dandy; he was the westerner; he was the nurse; he was the lover; he was the lecturer; was the good gray poet. He loved being.

He revised his Leaves of Grass throughout his life. Constantly reworking themes as evident from his "Song of Myself" through "Children of Adam" and "Autumn Rivulets" and "Songs of Parting". Some of these themes include, but are not limited to: the universality of men and women, the goodness inherent of man, his love for America as an idea, his feeling of justice, etc.

I could here start quoting lines in poems, but I ask you to participate. Go and explore. Don't let me tell you all that I know, which is only but a twinkling of his star. I hope that I've opened a door. Now, it is up to you to enter. Thanks.
.

 

Send Harry a message either directly or using the Word Catalyst feedback form. For more from Harry visit the Word Catalyst archives or his online home; or frohawk.