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Pulp Diction
Twisting of words and
turning of phrases
by Robert Cameron Hazelton
Silent Type
And so the saga continues.
Once more I sit before this sterile scribe to peck away some
meaningless verbosity I am loath to utter that will lie digitally
dormant until such time as I upload it to the net, releasing
it into the data stream like some vat-spawned endangered species
I'm trying to resuscitate.
I'm not really sure why, but I remember
when my urge to communicate was turned inward. I had always been
a gregarious child with a knack for getting people to smile.
All through elementary school up to my pre-teens I was usually
the narrator in school plays, or the lead voice in chorus. I
relished the connection with other people when performing; that
look in the eye which said they were totally moved by whatever
medium I was pouring my heart into. Well that is until a character
called puberty entered the picture accompanied by his brutish
mate the bully.
I discovered one of the biggest problems
outgoing people can face: that eventually they will encounter
other people that don't like them, and sometimes these people
can be violent. One of my worst tormentors was named Rick (which
of course rhymes with what he really was) and through his painful
intervention my inevitable withdrawal from the world began. He
was maybe 4 or 5 years older than me, twice as big, and a whole
lot meaner. I still to this day don't know what I did to deserve
his wrath other than exist but he definitely had it out for me.
His favorite move was to park his much heftier frame on top of
mine, pin my arms to the ground with his knees, and then torture
me until I cried or some bleary-eyed teacher snapped out of their
apathetic trance long enough to stop it. Back then you were expected
to stand up for yourself but all I had were words, and all they
did was get me beat harder! I refused to continually lay there
and humble myself to this mindless savage, so I began to berate
him with all the venom a desperate young lad possessing a robust
vocabulary could muster. I questioned his lineage, sexuality,
and any other trait imaginable until he would storm away in a
rage because I refused to cry anymore.
Well as you can imagine, I began to feel
the need to be unobtrusive. If people don't notice you, then
they can't pick on you. Suddenly being alone wasn't so bad, I
could do whatever I wanted, and never had to worry about unnecessary
complications. I began to read in earnest, escaping my world
of burgeoning uncertainty through the wondrous words of others.
This is also when I first began to write for even though we may
shun the physical contact rudimentary to meaningful communication,
we still feel the need to voice that which roils from within,
to share our own private impressions.
Of course I was still relatively affable
having been raised to respect everyone I encounter, but it was
just the proverbial mask, a polite façade employed to
keep the potential pain away.
One evening our little community was gathered
at the Town Hall for some function; I believe it was something
with Boy Scouts (which I was a thrifty member of) and everybody
that was anybody was present, including two of the most beautiful
girls in my class. Well when it was suggested that an emcee should
be appointed who do you think everyone turned to? Yup, you got
it, good old me. Here in this room were teachers, local government
officials, successful business owners; all people that were used
to dealing with the public but no, they pick the skinny, self-conscious,
borderline introvert me.
I can't begin to describe to you that feeling
of wanting to shrivel up into a little ball that I felt at that
moment. My face was flushed and my tongue actually got thicker,
it was the strangest sensation, I suddenly couldn't talk. And
the more people egged me on the worse I felt; I kept casting
quick glances at the two girls from my class and they were laughing,
talk about devastating. I remember looking at my parents with
a pleading expression that said don't make me do this, but they
like everyone else expected it of me because I had a talent for
it and had always willingly done it in the past. This was without
a doubt the turning point in my relationship with the rest of
society. I learned that if you're popular you don't have as many
options because you are bound by other people's expectations
and this cemented my decision to recede.
Now thirty years later I still maintain
a stout barrier between myself and the world, but I've come to
understand the need for some kind of bridge to keep me in touch
with the rest of humanity. I can count the number of friends
I have on one hand, though I suppose that could be said of my
enemies as well - I am a non-factor, a neutral bystander. I still
write and have even started performing in a band again, and I
find it endlessly amusing when someone says, "I can't believe
the voice that comes out of such an otherwise quiet person!"
I guess three decades of relative silence got me primed.
My most heartfelt exchanges though are
those involving words. When you practice a lifestyle of humble
reticence, there must be a release valve to expunge all the thoughts
and expostulations an active mind is bound to explore. Sometimes
I feel I have something unique to offer, but reveling in the
intricacies of sound, rhythm, and meaning doesn't always translate
into communication. Regardless of how cleverly certain words
can be arranged together, the ultimate question is - are they
saying anything? But still I sit here day after day tapping away
at my dusty keyboard, comforted by the sound, the only conveyance
these pointless runes will probably ever make.
Robert Cameron Hazelton lives
in Amsterdam, New York and writes the poetry blog Average
Poet.
Send Bob a message either directly or using
the Word Catalyst feedback form. For more from Bob visit the
Word Catalyst archives or his online
home.
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