Introduction
How old is poetry? That is a strange remark
that I heard the other day. The history of poetry is as old as
the history of language. When man (and of course this includes
women) first started speaking and telling tales around the fire,
there was no doubt someone who spoke of the tribe and recounted
its oral history. This is of course includes both conjecture
and my fractured view of the world; however, even today when
people gather there is always an individual who recalls tales
of the group. And what easier way is there to put into context
the tales of the tribe than to put them to song or in some type
of easily remembered format.
Opening Salvo
The history of language parallels the history
of people; handed down first orally and then in written form.
Let's first look at the oral tradition in Biblical and Greek
cultural times and then use of the traveling chivalric poets
as examples (because these are familiar although I have studied
the history of other languages and they all seem to follow a
similar pattern: Chinese, Bushmen, etc.). Who were the first
story tellers? What were there purpose?
In early groups there was a delineation
of tasks. There were hunters and gatherers. There were warriors
and those who guided the tribe spiritually and those who planned
its nomadic routes. My belief is based on the research conducted
about indigenous tribes in North and South Americas and in readings
about South Pacific island cultures.
And in all of these cultures there was
someone who told the deeds of the cultures heroes; and of the
great and tragic activities of those who had come before current
time. At times in certain cultures, these were the warrior poets
who promoted the cult of heroic deeds. But, in both some of the
native cultures of the Americas and of the Pacific peoples there
are songs of great spiritual meaning that have been handed down
from pre-historic times. All of these cultures and even our own
have some creation tale. Even the Biblical tales were once only
handed down from generation to generation orally.
The Reality of It All (as I see it anyway)
It wasn't until around 5,000 BC when the
Biblical creation tales (and please no bricks - I know that they
are the words of God, I'm just trying to make a point for the
oral tradition) were written down and copied and carried with
the tribes. The Torah is still anchored in its oral tradition,
recited at Temple using cantors. Using recitation and memory
keys the oral story teller would recite what they had been trained
to do. Some of the best ways to remember a long tale is to put
the words into some type of song. And, I'm not talking about
the modern two and half minute tune that you might hear in your
car or on your iPod; although these do, at times, reach artistic
levels as well.
Because the tribes were nomadic and illiterate
(and I'm not casting aspirations on their intelligence just their
reading and writing preclusion's), among the tribal groups were
those who were tasked with remembering and reciting the creation
tale as handed down by God. Ancient Jewish, Christian, and Muslim
cultures later picked up on these tales and made them their own.
Even when these stories were written down, they were mainly told
and understood orally for centuries. The story of Abraham was
transmitted from place to place on the lips of priests, cantors,
and traveling storytellers (poets). These travelers would recite
the story of Abraham in either the court or in the tents of these
nomadic folks. The story of David was often put into verse and
all of the early Psalms are songs of instruction or songs of
praise.
The Wikipedia (http://en.wikipedia.org/wiki/Psalms)
states:
"Jewish tradition maintains that the
Psalms are the work of David (seventy-three Psalms are with David's
name), basing himself on the writings of ten ancient psalmists
(including Adam and Moses). Many modern scholars see them as
the product of several authors or groups of authors, many unknown.
Most Psalms are prefixed with introductory words (which are frequently
different in the Masoretic and Septuagint traditions, or missing
in one while present in the other) ascribing them to a particular
author or saying something, often in fairly cryptic language,
about the circumstances of their composition; only 73 of these
introductions claim David as author. Since the Psalms were not
written down in Hebrew before the 6th century BCE, nearly half
a millennium after David's reign (about 1000 BCE), they doubtless
depended on oral or hymnal tradition for transmission of any
Davidic material."
The oral history of the Iliad and
the Odyssey is another example of the power of poetry.
Even though Homer is considered the "author" of these
two epic poems, he seems to be credited with recording these
two oral, epic poems that served to both entertain and instruct
ancient Greeks. Librarythinkquest.org (http://library.thinkquest.org/19300/data/Hist/slide6.htm)
states:
"More archaeological evidence has
recently revealed the possibility that Homer wrote much later
than the 12 century B.C.E. Many scholars now believe that Homer
was an Ionian of the 8th or 9th century B.C.E., which would place
his writings also more than 3 centuries after the Trojan War,
adding to the belief that Homer composed the Iliad and Odyssey
from a large array of oral poetry that he had learned and new
that had been passed down from generations upon generations,
and he was simply the artifice of their being put into writing.
However simple that task may have been, figuring out what exactly
happened now is not so simple, nor either is the complexity of
Homer's writings anything to be taken lightly or for granted.
The author of these works shows their awesome ability to compose
deep and intricate literature at a time when the majority of
people in Greece didn't even know how to write."
In both of these ancient cultures we see
the strong presence of the poet. The oral tradition lasts well
into the time of the written word. Printed material was at a
premium and was not as passed around as much as the traveling
poet.
Jumping ahead in time to fifth century
England, Beowulf is the best known example of the tradition of
the oral epic poem. Beowulf was written in England, but is set
in Scandinavia. It is an epic poem told in historical perspective;
a story of epic events and of great people of a heroic past.
Although the author is unknown, its themes and subject matter
are generally believed to be formed through oral tradition, the
passing down of stories by a scop (tale singers) and is considered
partly historical.
This tradition is carried through to the traveling minstrels
of the chivalric period and every European culture has an example
of the heroic epic. The tales of Arthur (Thomas Malory's Le Morte
D'arthur) are a prime example of these stories told to amuse,
entertain, and instruct. Other examples of this tradition that
were sung or told include:
The Divine Comedy: Purgatory by Dante Alighieri
The Faerie Queene by Edmund Spenser
Jerusalem Delivered by Torquato Tasso
The Canterbury Tales by Geoffrey Chaucer
The Nibelungenlied by Anonymous
The Poem of the Cid by Anonymous
The Song of Roland by Anonymous
All of these epic poems were first recited,
copied later, and then handed down in written form after the
printed press. Of course there are written forms of all of these
poems, but that is not how they traveled from court to castle.
Is There A Conclusion and Disclaimer?
Rather than drone on, there is a strong tradition of the poet
in all of societies and cultures. Poets serve the purpose of
transmitting both divine and mundane tradition. Poets were early
moral instructors and wealthy and base entertainers. Next time
you are at a poetry reading or recital, remember how far back
our tradition actually goes. You are speaking on the shoulders
of those who go back to the dawn of language.
As I state over and again this is not an
academic paper. This is just my introduction to you. I hope that
I have opened a window and that you will look out and feel the
breeze of greatness. Thanks.
copyright Harry Furness
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For more from Harry visit his
columns: February, January,
December, November,
October; and his poetry:
February, January,
December, November,
and October. Or his
online home or blog.
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